Skip to main content

Sing Us a Song, Piano Man



While on the walking/bike trail this morning, Billy Joel’s “The Piano Man,” began playing through my earbuds.

This was one of my late brother Jim’s favorite songs. We often talked about it. So, when it started playing, I raised my index finger to the sky and said, “This one is for you, Jim, wherever you are or aren’t.”

Death has always been a mystery to me. Eternal life, the idea of immortality after this life, is something I can’t explain or even comprehend.

As a minister, I was, over the years, with many people who were dying and, in some instances, who died in my presence. There is a profound change in the body at death, an emptying of life. The human spirit leaves, you can almost see it happening, and disappears into the inscrutable and is gone forever.

Where does that spirit go? I’m not certain. As a Christian, I want to believe our essence, our spirit finds rest somewhere beautiful. But, in spite of those classic Bible verses and the long history of Christianity’s promotion of an afterlife, the truth is, we don’t know. We can believe there is something more. We can hope. But nothing is certain.

Someone has said death is not the last sleep but the final awakening. Tagore, the passionate mystic, wrote something similar: “Death is not extinguishing the light, it is only putting out the lamp because the dawn has come.” And the famous Indian chief, Seattle, said, “There is no death. Only a change of worlds.”

These are emotional and poetic interpretations, lovely and affirming. But still, we don’t really know.

I thought of Jim the rest of my morning walk. He died too soon after a long debilitating illness, a slow-progressing form of muscular dystrophy. He was also a minister, a Methodist, and I have the long silk ecclesiastical stole he wore over his pulpit robe hanging across the top of the door that goes to the patio in my apartment. Bright red with a gold Cross on each end, it reminds me of him and his devotion to his beliefs and his congregation of worshippers.

When he resigned his rural church because he was no longer able to physically fulfill the demands of his position, he quietly left and moved to a small apartment in the city.

His life grew more withdrawn, more isolated. His illness reduced him to limited movement. Eventually, his broken body succumbed to the disease.

He did not complain. He did not blame. He hated his illness and the cruel constraints it placed on him. But he accepted it with courage and grace.

As I ended my walk, I thought of the final visits I shared with him. I would drive from Dallas to Oklahoma City and spend the day with him. We chatted about old times, family vacations, theology, church, books we liked, movies and songs that moved us.

Without trying to sound immodest, I think Jim followed me into the ministry. He wanted a bond with me and to do something good for others. I was finishing up seminary when he entered it. We would see each other across campus. He took it all so seriously. But it often frustrated him. It challenged everything he had ever been taught or believed. I loved all of that and began an endless search for what it all meant. Jim wanted to hold on tight to the beliefs he carried with him to seminary. He didn’t want a challenge. He wanted affirmation. We often talked about this. Sometimes we argued about it. But eventually, our love and respect for one another prevailed.

I saw him a week or so before he died. But I regret I was not there at the end, to hold his hand, to keep him company, to be near when his final breaths were taken, as he slipped into the sweet and beautiful unknown.

“Sing us a song you're the piano man
Sing us a song tonight
Well we're all in the mood for a melody
And you got us feeling alright”

Jim, the piano man.

© 2019 Timothy Moody

Comments

Popular posts from this blog

We are Made for Human Connection

There are words from Brandi Carlile’s song, “The Story,” that I might sing, and perhaps you, too. “All of these lines across my face Tell you the story of who I am So many stories of where I've been And how I got to where I am But these stories don't mean anything When you've got no one to tell them to” You don’t have to be single or alone to feel the depth of those words. Someone in a longtime marriage or relationship might feel them, too. The voyage through life takes each one of us through an assortment of experiences. Some of them ennoble us. Some crush us. Some lift us beyond ourselves and carry us into the lives of those who need us. And some carry us to those we need. Some experiences are burdens. Others ease and encourage us. Some leave us baffled and unsure. Some build confidence within us and are so affirming that we grow in substance, in courage, in tenderness, and sympathy. As we age, the lines in our faces can represent the hurts we have not yet resolved. Or t

If I had five minutes to evacuate--what would I take with me?

If I was told there was a bomb in my building and I had five minutes to evacuate my apartment I’d grab a grocery bag and quickly toss these items into it: 1. A photo of my grandparents, Mom and Pop and me, when I was 15 years old. I learned what love is made of from them. I learned what it is to be kissed on and hugged in arms so tender they felt like God’s arms. I discovered self worth from those two angels in human flesh. Of all the people in my life, they were the ones who made me feel I counted. Honestly, whatever capacity I have to love others came from them. 2. A sentimental, dog-eared, stars in the margin copy of Pat Conroy’s, “The Prince of Tides.” It is a book I have read three times and often return to for its wisdom. It is a harsh, profoundly tragic novel, the story of a family so broken and tortured by such flawed and wounded people that it is sometimes difficult to turn the next page. And yet it is the story of such Herculean courage and endurance that you want

Do we need a new country?

Have you seen the elaborate, stylish, opulent television commercial for Cartier? The original commercial seemed to go on forever, a full three minutes. They have shortened it now, but it still drips with ostentatiousness. It is conspicuously pretentious in spite of the beautiful music and the sleek panther and the stunning scenery and the elegant model dressed in a striking red gown. The commercial takes the viewer through an amazing montage of dreamy landscapes and famous cities and spectacular stunts while moving past a giant expensive watch and finally to a glittering diamond bracelet modeled by the woman in red. Each time I see it I keep wondering who the target audience is. It seems to be such an over the top expression of unbridled greed and materialism gone ape. In a time when much of the world is starving and millions are still out of work here at home it seems bizarre that Cartier would spend what has to be millions on a television commercial celebrating 165 years in